“Wolf Like Me” is a romantic comedy about a guy who encounters a werewolf, and the fantasy parts are no less believable than those in other less horrific romantic comedies. In reality, this one might be more honest, given its somber tone, which acknowledges the burden that individuals bear. However, while it becomes a free-for-all of artificial rom-com cliches, they don’t all fit together in such a funny, somewhat saccharine movie about accepting someone’s dark past.
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Messing with the sacred rom-com notion of the meet-cute may be one of writer/director Abe Forsythe‘s sharpest creations. It’s here when Mary (Isla Fisher), an advice columnist, rams her car into Gary’s (Josh Gad). It’s a crisp opening to the black humor that follows, and an amusing manner for two characters to meet, aside from being the rare surprise moment of a vehicle accident in film and television.
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Mary visits him at his home to apologize and give his daughter Emma (Ariel Donoghue) a copy of Carl Sagan’s Contact. He sees her gentle nature and has the opportunity to share his own, discussing how he has battled with parenting since the death of his wife Lisa. Mary had a dearly gone spouse, so there’s a nice acknowledgment of one’s darkness here. Gary later discovers that Mary ate her spouse because she is a werewolf.
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Forsythe is emotional about the idea of someone entering a relationship with trauma, and utilizing werewolves in a somewhat funny rom-com genre is an appealing way to express that. However, the emotional tensions don’t work, such as Gary’s first revulsion and horror when he discovers she’s devoured people before; we don’t believe she’s concerned he’ll divulge her previously sealed secret to the public.
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Gad attempts to fill the void with anxious energy, especially as Mary continues to crash into his life, but it’s neither scary nor amusing.
As Gary and Mary do begin dating, he rapidly gets his way about his reservations, which has an impact on how much we believe the following issue, whether his daughter will take it or not, occurs shortly after. The desire to be loved continues throughout the series, but it also helps to alleviate the fear that Mary’s ravenous appetite on a full moon will wreck everything.
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Worse, the storytelling cadence feels odd, which is particularly obvious in rom-com plots.
“Wolf Like Me” is a six-part series that lasts roughly 25 minutes each. It’s one of those series that feels like a bloated movie, extended out to meet an episode quota rather than the components within. It’s about Gary and Mary, but it also offers Emma space to reflect on her own secret gloom regarding her mental health and her mother’s death. However, as compelling as Donoghue’s delivery with the materials is, and as important as this arc is for youngsters who are grieving, it doesn’t contribute much to the entire plot.
Despite the fact that the premise is poorly executed, “Wolf Like Me” has the connection between Fisher and Gad. They both bring some lyricism to their characters’ gloom, and while they aren’t quite as hilarious as the tale demands, they have lively dialogue, notably when their characters are expressing their thoughts over love lost in the past. It all boils down to baggage and whether you should take it or leave it. “Wolf Like Me” is a narrative where you understand what it’s trying to say but don’t feel it. It has a genuine bleeding heart, much more so than many other rom-coms, but it could need a lot more bite.
Now available on Peacock.